We Started Nothing is the debut album from The Ting Tings. Tipped in the top three of the BBC's Sound of 2008 poll at the beginning of the year, seemingly they have much to prove. However, The Ting Tings aren't about proving themselves; they are simply here to enjoy it. Making great British pop music - their way - is what they're about. Born of a desire to employ the DIY ethic from day one - Katie White and Jules De Martino escaped the industry trappings they once experienced in a previous band and went back to basics as a duo. They stripped back everything they thought they both knew about making music and the industry that revolved around every note.

We Started Nothing is a debut album brimming with intuitive pop noise. It's pure garage-pop and once heard will in-bed itself into your subconscious for many days, weeks, months to come. Snappy choruses trade off against angular gutar work, whip smart drumming and a succession of loops that they create live with the use of delay pedals.

The GREATEST CONCERT MOVIE OF ALL TIME... Rolling Stone Magazine
Talking Heads WILDLY ENTERTAINING concert SPECTACULAR is among the GREATEST music films EVER MADE... Entertainment Weekly
The movie rates with Woodstock as the GREATEST ROCK CONCERT FILM one that can be watched as frequently as an aerobics tape. - USA Today
Palm Pictures is proud to present the Blu-ray premiere of the groundbreaking Talking Heads concert film STOP MAKING SENSE directed by Academy Award ® Winner Jonathan Demme (Silence of the Lambs). Entertainment Weekly described, the DVD s generous extras go a long way toward explaining the film s visual appeal: David Byrne and director Jonathan Demme contribute a smart audio commentary. The film has been remastered from the original 35mm source, allowing the brilliance of the visuals to take full advantage of Blu-ray technology.

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Track: 10: Trying Your Luck,<li>Track: 11: Take It Or Leave It,<li>Track: 1: Is This It,

Track: 2: The Modern Age,

Track: 3: Soma,<li>Track: 4: Barely Legal,

Track: 5: Someday,<li>Track: 6: Alone Together,

Track: 7: Last Nite,

Track: 8: Hard To Explain,<li>Track: 9: New York City Cops
Media Type: CD<br><b>Artist: STROKES
Title: IS THIS IT
Street Release Date: 10/09/2001
Domestic
Genre: ROCK/POP

Metric is a four piece band formed in NYC that has been based at various times in Toronto, Montreal, LA, and
London. Their fourth full length studio
album FANTASIES is a much anticipated
follow up to 2005's highly acclaimed LIVE IT OUT. FANTASIES was written by the band in a farmhouse outside Seattle, and by frontwoman Emily
Haines in exile in Argentina. The album was recorded at guitarist Jimmy Shaw's own Giant Studio in Toronto and mixed at Electric Lady in NYC by Grammy winner John O'Mahony (Coldplay, The Strokes). A densely textured modern mix of psychedlia, electro and rock, this album s dream like quality stays true to the band s aesthetic while venturing into more accessible musical territory. On standout track ''Gimme Sympathy'', when sharp-tongued Haines invokes the age-old existential dilemma - ''Who would you rather be: The Beatles or The Rolling Stones'' - it s because she already knows her answer: neither.

Special edition of 1995 compilation includes a bonus disc with nine live tracks, 'Lets Get Rocked', 'Armageddon It', 'Foolin'', 'Rocket', 'Two Steps Behind', 'Pour Some Sugar On Me', 'Rock Of Ages', 'Love Bites', & 'Photograph', recorded at Don Valley Sta

Studio: Uni Dist Corp (music) Release Date: 10/26/1999 Starring: David Byrne Chris Franz Rating: Pg Director: Jonathan Demme

Formed in NYC in the mid-'70s by David Byrne, Chris Franz, Tina Weymouth, and ex-Modern Lover Jerry Harrison, the Talking Heads evolved out of their now-legendary humble beginnings at CBGB's to become one of the most adventurous and influential bands ever. Inducted into the Rock and Roll Hall of Fame in 2002, the Heads' visionary, polyrhythmic sound daringly combined funk and punk, African beats, avant-garde minimalism, and pure pop. From their 1977 debut through their Brian Eno-produced classics to their '88 farewell, Naked, they both pushed artistic boundaries and delivered indelible radio hits like "Once In A Lifetime" and "Burning Down The House."

Four years after the release of their landmark debut in 2004, MTV VMA Award-winning, Grammy-nominated, multi-platinum Island Records group The Killers have completed their fourth album - and first new studio album in two years - DAY & AGE, featuring the new single, "Human" debuting worldwide September 22nd, while the digital single will be released September 30th. The new album hits stores November 25th - two days before Thanksgiving. <P>DAY & AGE was produced by Stuart Price, a key figure in electronic music (Les Rhythmes Digitales) who previously worked with The Killers on "Don't Shoot Me Santa," their 2007 Christmas single; as well as music on their 2007 compilation, Sawdust. Over the past five years, Price has worked as a producer, mixer, programmer, and keyboardist, including The Killers' "Mr Brightside" remix which was Grammy Nominated.

The Killers - Brandon Flowers on vocals and keyboards, guitarist David Keuning, bassist Mark Stoermer, and drummer Ronnie Vannucci - found time to complete their new album while also wrapping up their biggest summer rock festival season in the U.S. and abroad. Historic headlining gigs at England's prestigious Leeds and Reading fests coincided with an appearance on the cover of NME's August 8th issue. Earlier in 2008, the Killers took home top honors for Best Band of the Year and Best Track of the Year ("Tranquilize") at the annual NME Awards USA gala, at the El Rey Theatre in Los Angeles on April 23rd.

DAY & AGE comes one year after the release of Sawdust (November 2007), a 17-song collection of previously unreleased session tracks, B-sides, rarities and one-offs. The album was assembled at a recording studio in New York's Hell's Kitchen, where the Killers worked with Rock And Roll Hall Of Famer Lou Reed two recordings. Two singles and videos were issued: "Shadowplay" (from the motion picture soundtrack of Control, Anton Corbijn's biopic of Ian Curtis), and "Tranquilize".

The Killers' RIAA platinum second album Sam's Town (October 2006) debuted at #2 and spun off two hit singles: the #1 Modern Rock "When You Were Young," nominated for Grammy Awards for Best Rock Song and Best Short Form Music Video; and "Read My Mind," the band's first #1 at Triple-A. Their worldwide 5 million-selling debut Hot Fuss (June 2004) was the longest-running rock album inside the top 50 on the Billboard 200 albums chart for all of 2005, logging 94 weeks on the chart - 53 of those inside the Top 50. The album spun off four solid hit singles - the Grammy-nominated anthem, "Somebody Told Me," the VMA-winning (and Grammy-nominated) "Mr. Brightside," the Modern rock hit "Smile Like You Mean It," and the Grammy-nominated "All These Things That I've Done."

The 3 disc box-set format contains The Joshua Tree CD, the bonus audio CD, and a Bonus DVD. This package also includes a 56 page hardback embossed book, featuring previously unseen Anton Corbijn photos, handwritten lyrics by Bono and liner notes by Bill Flanagan, Bono, Adam Clayton, Brian Eno, Daniel Lanois, Anton Corbijn, Steve Averill, David Batstone, René Castro and a special essay by The Edge.

Content for the Bonus DVD: U2 Live from Paris - filmed at the Hippodrome de Vincennes in Paris, on July 4 1987, on the European leg of The Joshua Tree tour.

One need hear only the first notes of this collection--the Edge's ringing guitar notes ushering in "Pride (In the Name of Love)"-to be taken back to 1984: Ronald Reagan and Maggie Thatcher rule the Western world, the L.A. Olympics is the top sports story, and Ms. Pac-Man reigns at arcades. In rock & roll, there's U2 growing in stature with each new title. Even doubters of the Irish lads have to concede that together they formed the one '80s band with the skill and sense of scale to take over the airwaves and concert stages in a decade of diminished expectations. This 15-song '80s best-of assortment (stick around for the hidden track) spans the decade, reaching back to 1980's "I Will Follow," when Bono and company were peach-fuzzy and earnest as choirboys, and tracking their path through their most glaring misstep, 1988's overblown <i>Rattle and Hum. --Steven Stolder